Hiển thị các bài đăng có nhãn Buddhist legend in Keo Pagoda. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Buddhist legend in Keo Pagoda. Hiển thị tất cả bài đăng

Chủ Nhật, 26 tháng 7, 2015

Full moon (Mid-Autumn) Festival

Tet Trung Thu, as it is known in Vietnam, or the Mid-Autumn Moon Festival as we refer to in foreign countries, is a wonderful, ancient festival that revolves around children.

Vietnam’s Mid-Autumn Moon Festival (or Full moon Festival) takes place on the full moon night (15th of the Lunar August), the most charming and picturesque night of the year. The festival involves the customs of moon contemplating, procession of star & moon - shaped lanterns, lion dance, as well as holding parties with moon cakes and fruits. Do you know why we have this special festival?

The origin…
The Festival dates back as far as 15-20,000 years ago in Southeast Asia, and is traditionally held on the 15th day of the 8th Lunar Month. Looking at the moon on this day, you will see that its orbit is at the lowest angle to the horizon, making the moon appear brighter and larger than at any other time of the year. Thus, accordingly, there came a festival with a series of entertainment activities in honor of the beautiful full moon.

There are several explanations for that phenomenon as well as the tradition of celebrating the Mid-autumn Festival. Some said that it began since the reign of King Duong Minh Hoang in China, at the beginning of the 8th century. According to ancient manuscripts, the Emperor often wished to visit the Lantern Procession


Palace on the Moon. Then, with the help of a magician, he was taken to the Moon and welcomed by a lot of beautiful fairies. He expressed his admiration for their dance, which was called Nghe Thuong Vu Y, and tried to memorize. Later, he accidentally found that there were similarities between Nghe Thuong Vu Y and Ba La Mon styles. After combining the two songs and dances styles into one, he gradually introduced it to everyone in their far ruling countries. The tradition of watching the moon, the dance and songs later became a traditional event in the Mid-Autumn celebration.

Celebration on animated  streets

The festival is very much like a combination of Halloween and Thanksgiving. On the night of Lunar August 15th, the streets are full of people buying festival stuff and wandering. Besides the assorted paper lanterns, cakes, candies, the toy animals made of rice dough, the dragon heads and faces of the Earth God made of paper are displayed everywhere in the markets. Children parade on the streets, singing and carrying colorful lanterns of different sizes and shapes, such as fishes, stars, butterflies, which spin when candles are inserted, representing the earth circling the sun. In well-off families, the mid-autumn banquet is to show up their nubile girls’ cooking abilities.


This festival is mostly geared to children, thus, to help children get ready for the Festival, parents can help them make their lanterns and costumes for the lantern procession and discuss the history and culture of Vietnam. Showing our love for our children and teaching of Vietnam's love for their children is a wonderful reason to celebrate!


One important event before and during Vietnamese Mid-Autumn Festival is lion dancing. Both non-professional and professional children groups perform dances on the streets or go to houses. If accepted by the host, "the lion" will come in and start dancing as a wish of luck.

Beside the lion dance, it is customary to offer Banh Trung Thu, boxes of moon cakes, which are traditionally very rich in taste. The cakes are filled with lotus seeds, ground beans and orange peels and have a bright yoke in the center to represent the moon.  “Banh deo” is the white cake, made of sticky rice and filled with sweet mixture of lotus seeds, pumpkin seeds or green bean. “Banh nuong” is the brown cake and has salty taste with a mixture of egg, pork fat, fried onion, peanut and lemon leaves inside. Both can be in round or square shapes.

Where in Ha Noi and Ho Chi Minh City could we join this event?Moon cakes


In Ha Noi, you can come to Ho Tay Water Park, Van Ho Exhibition Centre and Giang Vo Exhibition Centre to have musical performances for children in these two days.

In Ho Chi Minh city. Between 10th and 15th of August, Ho Chi Minh City government holds "Full Moon Festival" parties for children. Are you interested in the disadvantage children? On this occasion, the city arranges for some 5.000 children to participate in lantern processions along the main streets.

Today, the Mid-Autumn Moon Festival, together with the encouraging affection for children, promotes education, poetry, dance, arts and crafts. Most overseas Vietnamese family, though far away from their home country, would like to bring their kids back to the home country right in Full moon festival time, one amongst the most important ones in Vietnam. Otherwise, most of them hold a distant festival on their own in the country where they live to remind the kids of their origin and national culture.

Not only locals, but also foreign tourists are warmly welcomed you to join in this special festival. Surely, you will have much fun when taking part in the crowds, seeing children carrying the lanterns, eating cakes and receiving gifts of celebration during the Mid-Autumn Festival!
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Thứ Ba, 14 tháng 7, 2015

Do Son Buffalo Fighting Festival

Thousands of people annually gathered at the stadium of Do Son Town, Hai Phong City to witness the attractive performances of buffalos within the Do Son Buffalo Fighting Festival, an outstanding and unique festival one in Vietnam which is associated with different legends.

One of the legends has it that long time ago, one Creator caused a severe drought. All living things looked toward the sea, praying for Creator’s favour. In the most miserable moment, suddenly, people saw two buffalos fighting fiercely on the wave crests and the rains started to pour down, revive all creature. The local people organise the fighting performance annually to show, not only their great gratitude for the Sir Buffalo but also their desire for the immortal vitality and strength of coastal people of Haiphong. Being held officially and annually on the ninth day of the eighth month of the lunar calendar since the 18th century, the festival is a chance for local people to pray for prosperity and happiness.

The preparation for this buffalo fighting festival is an elaborate process, from the 5th and the 6th lunar month itself. The competing buffalos must be carefully selected and methodically trained months in advance of the festival. These buffalos, that had experienced the qualifying round, must be between 4 and 5 years old, with a good appearance, a wide chest, a big groin, a long neck, an acute bottom and bow shaped horns. The selected buffalos, after all the elimination rounds, are fed in separate cages to keep them from contact with common buffalos.

Buffalo fighting performance

The beginning of the worshipping ceremony lasts until lunch time. Do Son Buffalo Fighting Festival takes off with a colorful procession with an octet and a big procession chair, carried by six strong young men. The chosen buffalos, covered with red cloth and red band around their horns, are taken to the fighting ring by 24 young men, from each side dressed in red. The young men dance and wave flags as the two teams of troops take their positions in the fighting ground. The dance was mingled with the ebullient sound of drums and gongs, bringing a hectic atmosphere to the festival. After this event, a pair of buffalos is led to opposite sides of the festival grounds and is made to stand near two flags called Ngu Phung. As soon as the right signal is released, the two buffalos are led into the fighting circle. At the next signal, the two leaders release the ropes that are attached to the noses of the buffalos. With well-practiced movements, the buffalos rush into each other, using their fighting skills to decide the right to enter the next match while the spectators shout and urge the fighting along. Then, the winning buffalo goes to the next round till the final winner emerges. The matches varied in terms of time, depending on the strength and stamina of the buffalos. At the completion of the fight, the spectacle of "receiving the buffalos" is very interesting as the leaders must then catch the winning buffalo to grant it its reward.

The Buffalo Fighting in Do Son is traditional festival of Vietnam attached to a Water God worshipping ceremony and the "Hien Sinh" custom. The ceremony is held in every village and chaired by its patriarch to pray for the victory at the buffalo fight, typically express the martial spirit of the local people in Do Son, Hai Phong. In recent years, this traditional festival attracted not only local residents but also thousands of domestic and international tourists.
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Thứ Bảy, 11 tháng 7, 2015

Buddhist legend in Keo Pagoda

Attending a three-day Festival in Keo Pagoda, you can experience lots of traditional rituals, religious ceremonies and cultural performances which reflect the lifestyle of inhabitants along the banks of the North Delta of the Red River.



The legend...

Come back to the history, legend said that a humble fisherman in the 11th century achieved enlightenment as a Buddhist monk and could thereby fly through the air, walk on water and tame snakes and tigers. However, the holy man Duong Khong Lo (1016-1094) secured his name firmly in his country’s history books when he used his magic powers to cure King Le Thanh Tong (1066-1127) of a terrible disease. Over 900 years later, residents of Vu Nhat Commune, Vu Thu District, Thai Binh Province still honour the Buddhist hero with a festival as mystical as the legend it recognises.

The features
The flocks of visitors who come to witness the Autumn Festival, the province’s biggest cultural event of the year, have no trouble finding Keo Pagoda, located on the site where the Buddhist dignitary had pagoda built in the 17th Century.

Keo pagoda is architecturally unique and stands at a scenic spot on the Red River Delta. The Pagoda is home to a wealth of ancient relics, from intricately engraved wooden dragons to a collection of over 100 statues. The pagoda also has valuable antiques including a pair of candlesticks from the Mac Dynasty, pottery ware and altars from the Le Dynasty, imperial boats and more, which are all as well preserved now as they were during the time of the Le Trung Hung Dynasty in 16th century.

The yearly festival is celebrated from 13th to 15th of the ninth lunar month, 100 days after the death of the Buddhist dignitary Duong Khong Lo. The festival features religious and traditional rituals and customs held in celebration of the Buddhist monk who rendered great merits to the people and the country. The festival also hosts different traditional cultural activities reflecting the life style, which is imbued with traits of the Red River Delta’s agricultural culture.

Keo pagoda's festival
Keo pagoda's festival

The celebration

The pagoda’s own mythical appeal plays a significant role in drawing so many visitors to Vu Nhat Village each year on the 13th, 14th and 15th days of the ninth lunar month. Normally, people visit the commune to offer prayer at the Keo Pagoda in honor of the Buddhist monk. Similar to other Vietnam festivals and events, Keo Pagoda Festival commences with a procession of palanquin to remind people of the anniversary of Khong Lo’s death, followed by a boat race and a literary recital competition during the day. When night falls, it's time for music and a trumpet and drum competition, light from the main shrine illuminates preparations for the next day’s procession, prayers are offered until midnight.

On the 14th day of the ninth lunar month, in celebration of the birth anniversary of monk Khong Lo, in the morning, the procession ceremony comes after the incense-offering ritual. A carriage pulled by two pairs of white and pink wooden horses head the procession, accompanied by 8 flag bearers and 42 men carrying bat but luu bo, a classical Vietnamese weapon. Four people wearing black gauze outfits and white trousers, who carry a dragon in commemoration of Khong Lo’s journey by boat to the capital of the kingdom to treat King Ly Nhan Tong. Four people in the same outfit carrying a small gilded boat put in a stand, depicting the period of monk Khong Lo’s life when he was a fisherman. In the afternoon, at Gia Roi shrine, the mua ech vo (frog-catching dance) ritual pays respect to the gods, while incense is offered to Buddha.

The festival continues into the next day with further entertainment and traditional games such as duck catching, rice cooking competition and firecracker hurling competition. However, the most interesting performance that attracts a large number of tourist is the  boat rowing dance on land which is performed by 12 people in fine costumes, standing in two parallel lines like the way they sit in the boat. As one performer beats a small drum and another holds a wooden fish, the 12 performers "row" while flexing their legs and calling out rhythmically. This performance also puts an end to the three-day Keo Pagoda Festival.

It is believed that together with this meaningful festival, Keo Pagoda will remain an interesting tourist attraction and a pride for Vietnamese architects, Vu Nhat villagers and all of Thai Binh Province – as well as our whole country!
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